Showing posts with label Janelle Monae. Show all posts
Showing posts with label Janelle Monae. Show all posts

Friday, 31 December 2010

Albums of 2010: #1: The ArchAndroid

#1: 'The ArchAndroid' by Janelle Monae

I have always been a soul kid at heart, so it's no surprise that a form of modern soul (fused with R&B, funk and indie) has taken the top spot on my personal countdown for 2010. Janelle Monae has been creeping her way into the industry for a few years now, collaborating with the likes of Outkast and signing to Bad Boy Records in 2006. She released a mini-album, 'Metropolis: Suite One', in 2007 which set the basis for her unique blend of genre conventions, the soul burning at the heart of her sound and the sci-fi themes that make me absolutely, positively want to marry her.

Sci-fi and music often make me go slightly gaga and may explain my obsession with all things Bowie, so when this album appeared in my life, I knew it would settle into my heart and never leave. 'The ArchAndroid' is a concept album about an android named Cindi Mayweather, sent back in time to free the citizens of a city called Metropolis, looking to bring back love to the suppressed people minority. Overtures are seldom used in modern music but Miss Monae opens the album with a dramatic orchestral flourish, bringing in cinematic, historical and visual ties alongside everything else on offer. Janelle is a master of crafting a tale and presenting it with a hundred other influences at the back of your mind, whilst producing something wholly unique, original and outstanding.

Outkast style hip-hop bursts into life on the likes of 'Dance or Die' with Big Boi himself even appearing on breakout single 'Tightrope' (the video of which showcases the jawdropping movement and grace in the choreography of our titular innovator). R&B that showcases a voice with the breadth and depth of Mary J Blige is a recurring tone, with 90s beats and nu-soul soundbites on the likes of 'Locked Inside' and 'Neon Valley Street'. Even indie rock pushes its way through the fold with Of Montreal (who Janelle supported on tour) cracking their way into the funk-laden 'Make The Bus'. Superbly strange sound manipulation is used with a deft hand in the backmasking of 'Neon Gumbo' and the echoing spiralling rock of 'Mushrooms and Roses'.

'Cold War' is the most incisive and personal track on offer, providing a profound and thrilling journey into her mind, taking on the issues surrounding roles of minoritiesm, specifically females, in society and in the music world. The music video (watch it below) is a stunning depiction of individual emotion with the camera focusing on the beautiful face of Miss Monae as she sings her heart out, recalling the famed Sinead O Connor video, especially as a tear streaks down her face at the line 'I was made to believe there's something wrong with me...'

One of the last tracks on the album, 'Say You'll Go' is a slow and steady electronic-tinged melody with Janelle's carefully controlled vocals lamenting drifting alongside, reminiscient of a Stevie Wonder ballad from his peak in the 70s. To top it all of, the track breaks down into my favourite piece of classical music, 'Clair De Lune' from the 3rd movement of Suite Bergamasque by Claude Debussy, cementing her as the love of my life and 'The ArchAndroid' as the most beautiful, beguiling and groundbreaking records of 2010.

Monday, 19 July 2010

A Deadbeat Summer...

'In summer, the song sings itself.' ~William Carlos Williams


Hola once again! Yet another month or so of shuffling, moving, job searching, homelessness, kerfuffle (and losing my password to access my blogspot) and I am finally back to attempt to blog every other day or so on music and all that such a wondrously vast topic entails.


I will be attempting to bring a few ongoing sections (such as Cover Me Slowly) into constant
renewal on here as well as this weekly update on what to send spiralling down your earholes!

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Seeing as I have had a penchant over the last few posts for some sort of gnarly, lo-fi-esque band, why not kick off again with one more for good measure...

Oh and they are based out of bloomin' Brooklyn (OFF TOPIC I visited recently and MUST live there; on with the music!).

Coasting are two females, Fiona and Madison, with the ability to send their sound hurtling down a grinder of sorts, resulting in the strained sophistication that stumbles out in the likes of the deliberate drubbing titled 'Don't Fight'. But don't, not for one second, think they don't know how to thrash something bone rattling out via a heady drumbeat and a growling grumble of a guitar. Just smack the self-titled 'Coasting' all the way up and feel your fillings fall out.

'Kids' is a standout piece of blurred singalong rock that gets off with its own percussive power. I pray they make it to London around the time I get there.


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I recently had the pleasure of reviewing a record for Middleboop by a man from LA, named Will Wiesenfeld but using the name of Baths for the musical miscellany he musters. Every song on 'Cerulean', the blue-ish title of the album, sounds like a hazy, misty memory not quite recallable yet always on the tip of the proverbial tongue.

'Maximalist' kickpushes its way through a field of samples whilst the strained vocals and beat of 'Lovely Bloodflow' pulsates with a blood-like resonance. The percussion on the record acts as a honed heartbeat, tapping and ricocheting its way amidst an emotional sea of lyrics on love and sound effects recalling birdsong and shoreline rumblings.

The full album review can be found right HERE at Middleboop so go check it out for a little more info on this suprisingly loud chillout album by Baths.


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Folk music is always tricky to get right, with modern attempts treading the fine line between modern technology and production and the archaic, elemental factor in the original folk stylings of the early 20th century. So, it is lovely to hear it done right once in a while.

Dear Winesburg are a foursome who use a host of lush instrumentation (including a wondrous chunk of harmonica) on their debut, self-titled album. Frontman Chris Kreinczes' vocals seep out through a time machine, at times rasping like a young Tom Waits and then suddenly lighting up in full story-telling mode, as if preaching to a full campfire circle. Lyrically, the stories at hand weave and duck through wit and litany, seen wonderfully in the tale told within 'Under The Eaves'.
Violins kick in sporadically to great effect, throwing a Civil War atmosphere into the intoxicating mixture of archaic, melancholy folk music peddled by Dear Winesburg. Well worth a listen and I am deeply regretting my inability to reach their EP release gig, and hope to make it along to another opportunity asap.


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Last Minute Reinforcements....

  • Fol Chen sound like Dirty Projectors with a roomful of instruments, a heap of something illegal and intoxicating and a supercomputer...their second album 'The New December' is simply sublime...
  • Janelle Monae is all over most blogs and reviewers' radar after the release of her debut 'The Archandroid'. One more can't hurt. It is AMAZING. Go Get It....
  • I love Jenny Lewis. Literally LOVE. But her boyfriend, Jonathan Rice is also bloody talented and they are releasing an album together titled 'I'm Having Fun Now'...DAMN HIM!
Albums out over the next week or so that you should probably buy include;
  • 'Archive 2003-2006' by Department Of Eagles [Melodically low key indie pop with a hint of the avant garde and a spot of dreaming drama...]
  • 'Turning Lead Into Gold With The High Confessions' by The High Confessions [Loud, spindly and long with plenty of drums, fuzz and backlash]
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Keep live and kicking for a bunch of different features and sections and whatnots!

Buh Bye!
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Monday, 31 May 2010

The Colours of the Farm...

'Music is a safe kind of high.' ~Jimi Hendrix

As my pal Jimi agrees, here are some new narcotics for your earholes...

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The tale of how Grouplove came to meet has been splattered in the blog coverage they have spurned so far and who am I to rob you of that knowledge! The band met in Crete as part of an arts residency, though they come from LA, London and New York.

In one of those beautiful moments of connection, the group have span out a fantastic EP full of Arcade Fire-esque momentum. Each track bounds along in an epic fashion, prompting sing-a-longs and hand waving in a crowd on a wonderful festival evening. 'Colours' brings a ranting, chanting lyrical assembly with 'It's the colours you have, no need to be sad, they really ain't that bad." Sumptuous and fulfilling, I defy you to listen to the likes of 'Naked Kids' without a stupid grin on your face.

Grouplove's Myspace

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Fractal Farm manufacture rhythmic indie rock that snaps and twists its way along. From Wilmington, North Carolina, the threesome are working on a debut DIY ep and looking at tours across the US (but sadly not these British shores yet).

Perfect for summer, the soft angles of their music jut their way into your ribs and you can feel the energy of the band, bold and brash in the recordings. 'Walking' and 'Bone Ideas' blend psychadelia with math rock and indie pop, pushing the neat categorical types to compare them to a whole heap of bands, from Foals to Radiohead to The Shins. But comparisons be damned as these guys forge their own brand and I hope they make it to British shores sometime soon so I can see it all up close and personal.

Fractal Farm's Myspace

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Just One More Hit (or five)

Albums out over the next week or so that you should buy include;
  • 'LP4' by Ratatat [Perfectly produced sampling and mixing masterpiece with beats that send your body trembling]
  • 'Been Listening' by Johnny Flynn [Troubador pretty nu-folk with a buoyancy and certain sweetness]
  • 'Memoirs' by Rox [modern soul from Londoner songstress with feeling and sass]
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So! Until next time true believers!!

Ears peeled and eyes open!

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