Showing posts with label Gil Scott-Heron. Show all posts
Showing posts with label Gil Scott-Heron. Show all posts

Friday, 31 December 2010

Albums of 2010: #3: I'm New Here

#3: 'I'm New Here' by Gil Scott-Heron


Poetry is the progenitor of hip-hop, the use of spoken words to convey something artistic or emotional, so it is beautiful to see Gil Scott-Heron back after a long absence, bringing back the personal depth, honesty and beauty of the spoken word (along with some pounding rhythms to keep everything humming, ticking and bopping along). In the 70s, he spoke out for the black community, and for America in general, about the harsh political truths tearing the country apart. With 'I'm New Here', he has decided to look within (albeit speaking out about certain truths in the world simultaneously), exploring his life, loves and relationship with the world.

The record opens with the first part of 'On Coming From A Broken Home', where Gil Scott-Heron tells the listener a pulsating tale of his upbringing, and how he came to be the man he is today. This is all set to the backing track of 'Flashing Lights', a perfect nod to the iconic hip-hop star of today, another man with the same mindset of insight and self-awareness. Kanye had previously used a sample of 'Home is where the Hatred Is' on 'My Way Home', and used 'Comment No 1' to close out his most recent masterpiece (No 10 on this very countdown). Robert Johnson's 'Me and the Devil' and 'Your Soul and Mine' plough through the emotional self-worry and sense of worry deep down in the heart of Mr Scott-Heron, whilst numerous interludes give us wonderful little snippets of poetry and thought.

Massive Attack beats and soulful growls and scowls give the record an enormous sense of age, gravitas and levity, rumbling along like a slow but steady freight train, forcing its way into your mind. Unexpectedly, but absolutely amazingly, a Smog cover provides the title track with 'I'm New Here', a track that is perfect for the return of our titular poet with lines such as “No matter how far wrong you’ve gone, you can always turn around”, sung with a perfectly-pitched low tumbling vocal strain. If Gil Scott-Heron stays on the so called straight and narrow and keeps on digging into his own mind, heart and soul, we will hopefully get another record that defines depth; and a record that overthrows the tired old hip-hop stereotypes, cliches and content, in favour of something altogether more meaningful, personal and, ultimately, powerful.

Monday, 27 December 2010

Albums of 2010: #10 'My Beautiful Dark Twisted Fantasy'

#10: 'My Beautiful Dark Twisted Fantasy' by Kanye West


Kanye jumped from crazy to disgusting to egotistical to genius in a matter of months in 2010, releasing a ridiculously anticipated fourth record with the correct amount of bombast at the tail end of November. 'My Beautiful Dark Twisted Fantasy' is a record full of superb samples, spot-on guest spots, heavyweight hooks and a whole host of lyrical rumination, telling the tale of Kanye and his Beautiful Dark Twisted mind...

Nicki Minaj kicks off 'Dark Fantasy' with a British accent introduction before Kanye's (possible) magnum opus kicks into gear. Nicki makes a monstrous turn on 'Monster' later in the record, almost upstaging Kanye in the process. But Mr West's ego charges his way through the heart of the record, even with a number of guests making their voices, beats and presence known, balancing themselves precariously within an album teetering dangerously close to the brink of implosion.

A 35 minute video, 'Runaway', cemented Kanye as the man of the musical moment, taking hip-hop into artistic territory with the addition of ballet and cinematography. And said track, 'Runaway', turns a simple piano plink into a weaving, diving epic 9 minute musing on fame, ego and the self. 'Blame Game' features the silken-voiced John Legend and a riffing Chris Rock take on the end of a relationship, and Kanye manages to turn Bon Iver into masterfully headbopping hip-hop on 'Lost in the Woods'. Poet and spoken word artist extraordinaire Gil Scott-Heron finishes the main bulk of the record, turning Kanye from an egotistical monster into the peerless and paramount producer and artist of 2010.

Thursday, 11 February 2010

What Would I Want? Music?

'Music is the poetry of the air.' ~Sviatoslav Richter

We near that event that some call Valentines Day but, for reasons too depressing to head into, I shall call Fuck You, Let's Listen To Some New Music Day.
Not quite as catchy but it's a national holiday in progress. So, let's give you an agenda of new music for that lazy Sunday...

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Way back when I was still a student (last year), I hosted a specialist show on student radio (now known as Sonar Radio) all about brand spanking new music and the older influential artists that inspired the current trends, and had the pleasure of falling over many awesome artists, one of which I had the pleasure of seeing in Winchester not long ago.


Alessi's Ark is a solo folkstress with a style of music that can only be defined as Gorgeous, with a big ol' capital G. She has supported the likes of Mumford & Sons and Laura Marling, complementing their folk tales of woe and twee with her inventive and sweet songs such as 'The Horse' and 'Constellations'. The majority of my friends were deeply depressed that they missed the chance to purchase a copy of her album, wrapped in a hand-knitted bag, and I was deeply depressed that she didn't spot me from the stage and whisk me into a folk heaven involving her singing to me every night....

Alessi's Ark's Myspace

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She was supporting a huge group of folk troubadours from Brighton whose combined musical output swept the stage and the crowd into a folk frenzy (aka quiet, content and intelligent contemplation). Sons of Noel & Adrian use whistling and a whole host of musical instruments to craft intricate folk pop that tugs at the heart (and head) strings.

Sons of Noel & Adrian's Myspace

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Yet another group from Brighton AND another musical artist who I played on my specialist show last year, Esben and the Witch are making waves in the music-sphere at the moment, popping up on various Festival announcements. Very much a group rooted in literature and storytelling, tracks such as 'Marching Song' project an eery foreboding captivating when trapped within a four minute ditty. Echoes of Bjork and Portishead resonate through the sound of the group whilst allowing an individuality thanks to the emotion that embeds deep within their music.

Esben and the Witch's Myspace

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A few quickies to make sure you don't run low on New Music to munch on...

Male Bonding popped in to play for Huw Stephen's last night, whose show remains the last bastion of decency on Radio 1, showcasing their grunge-gaze rock that I love so much... Check out their Myspazz

Los Campesinos have a new album out NOW, so give this a listen and then go spend your pennies on it...Romance Is Boring...

These guys are pretty good; well I have listened to 'The Chemical Song' a few times over. They are called Citadels.

Gil Scott-Heron, the freaking legend that he is, has an amazing new album out called 'I'm New Here'. Hear the whole thing here on le Guardian and then go get it so you can listen to it FOREVER....

Finally, I have never been a big Peter Gabriel fan but this may change with an album covering David Bowie, Radiohead, Regina Spektor and Bon Iver...The Guardian, lovely people that they are, let you hear it here...

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So, go forth, listen and keep loving (except on Valentines Day, that is now for NOTHING but listening to new music, no lovey dovey crap there...)

Buh bye!
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