Showing posts with label Kanye West. Show all posts
Showing posts with label Kanye West. Show all posts

Thursday, 6 January 2011

#7: Childish Gambino

Artist of the Day #7:
Childish Gambino

My first new act of this new year of ours going by the numer 2011 is going to be a comedian/actor/writer/hip-hop-hipster. Yeahhhhhhhhhh....

Hip-hop is a genre that has many many detractors who primarily focus on the mainstream mush of so-called 'Gangster-rap' which ignores the huge swathes of interesting, innovative and alternative rap music being produced nowadays. And I must mention that my new artist of today is not actually all that new. He is a comedian called Donald Glover who has found fame as part of Derrick Comedy (check them out all over Youtube), as a writer for 30 Rock (check it out if you get the chance) and as part of the cast of Community (CHECK IT OUT NOW BECAUSE YOUR SENSE OF HUMOUR DEPENDS ON IT). Aside from all of this, and much unappreciated, is his music career, having released three records for free on the internet, including his latest early in 2010, 'Culdesac'.

Donald uses the pseudonym Childish Gambino, keeping his comedic and musical stylings seperate to distinguish the distinct differences between his two immense talents. He uses his word weaving abilities to craft intelligent, geeky hip-hop that echoes Das Racist and the current wave of alternative hipster-hip-hop breaking through. His unique style of self-conscious boasting namedrops references from Tina Fey to Spider-Man.

Most of his work explores his inner thoughts as a young, gifted and black rising star, ranging from worrying explorations of his early years through to diatribes on his attraction to the beautiful women surrounding him thanks to his highly-earned success. Slow R&B-esque grooves take over on the likes of 'So Fly', with Childish sounding sweet and gentle as opposed to his charging masculinity on 'Put It In My Video'. Here he clearly states that every kind of female can come and appear in his video, using an amazing sample of The Stylistics (pushing my soul buttons) and blurting forth a wondrous line that accurately describes my every thought when in NY this summer in "Mixed girls from Williamsburg, that's my fucking Kryptonite".

Strangely, a sample of Adele forms the backbone for 'Do Ya Like', a sultry seduction song that oozes sex appeal and her soul voice works exquisitely over the stop-start style utilised by Childish on the aforementioned track (whether she knows it or not). There is a vulnerability in the music here yet somehow a sincere sense of bravado alongside the nervousness, with Childish Gambino managing to tread the line with flair, eloquence and a wisdom beyond his years.

Check out the music of Donald Glover (along with every damn thing else he does) before he goes skyhigh and becomes the new Kanye (quite possibly ego and all). Oh, and he also mixes the likes of Sufjan Stevens into oddly pitched dub and dance remixes. He couldn't really get any more awesome...

OH and his latest album 'Culdesac' is free to download HERE!



Friday, 31 December 2010

Albums of 2010: #3: I'm New Here

#3: 'I'm New Here' by Gil Scott-Heron


Poetry is the progenitor of hip-hop, the use of spoken words to convey something artistic or emotional, so it is beautiful to see Gil Scott-Heron back after a long absence, bringing back the personal depth, honesty and beauty of the spoken word (along with some pounding rhythms to keep everything humming, ticking and bopping along). In the 70s, he spoke out for the black community, and for America in general, about the harsh political truths tearing the country apart. With 'I'm New Here', he has decided to look within (albeit speaking out about certain truths in the world simultaneously), exploring his life, loves and relationship with the world.

The record opens with the first part of 'On Coming From A Broken Home', where Gil Scott-Heron tells the listener a pulsating tale of his upbringing, and how he came to be the man he is today. This is all set to the backing track of 'Flashing Lights', a perfect nod to the iconic hip-hop star of today, another man with the same mindset of insight and self-awareness. Kanye had previously used a sample of 'Home is where the Hatred Is' on 'My Way Home', and used 'Comment No 1' to close out his most recent masterpiece (No 10 on this very countdown). Robert Johnson's 'Me and the Devil' and 'Your Soul and Mine' plough through the emotional self-worry and sense of worry deep down in the heart of Mr Scott-Heron, whilst numerous interludes give us wonderful little snippets of poetry and thought.

Massive Attack beats and soulful growls and scowls give the record an enormous sense of age, gravitas and levity, rumbling along like a slow but steady freight train, forcing its way into your mind. Unexpectedly, but absolutely amazingly, a Smog cover provides the title track with 'I'm New Here', a track that is perfect for the return of our titular poet with lines such as “No matter how far wrong you’ve gone, you can always turn around”, sung with a perfectly-pitched low tumbling vocal strain. If Gil Scott-Heron stays on the so called straight and narrow and keeps on digging into his own mind, heart and soul, we will hopefully get another record that defines depth; and a record that overthrows the tired old hip-hop stereotypes, cliches and content, in favour of something altogether more meaningful, personal and, ultimately, powerful.

Monday, 27 December 2010

Albums of 2010: #10 'My Beautiful Dark Twisted Fantasy'

#10: 'My Beautiful Dark Twisted Fantasy' by Kanye West


Kanye jumped from crazy to disgusting to egotistical to genius in a matter of months in 2010, releasing a ridiculously anticipated fourth record with the correct amount of bombast at the tail end of November. 'My Beautiful Dark Twisted Fantasy' is a record full of superb samples, spot-on guest spots, heavyweight hooks and a whole host of lyrical rumination, telling the tale of Kanye and his Beautiful Dark Twisted mind...

Nicki Minaj kicks off 'Dark Fantasy' with a British accent introduction before Kanye's (possible) magnum opus kicks into gear. Nicki makes a monstrous turn on 'Monster' later in the record, almost upstaging Kanye in the process. But Mr West's ego charges his way through the heart of the record, even with a number of guests making their voices, beats and presence known, balancing themselves precariously within an album teetering dangerously close to the brink of implosion.

A 35 minute video, 'Runaway', cemented Kanye as the man of the musical moment, taking hip-hop into artistic territory with the addition of ballet and cinematography. And said track, 'Runaway', turns a simple piano plink into a weaving, diving epic 9 minute musing on fame, ego and the self. 'Blame Game' features the silken-voiced John Legend and a riffing Chris Rock take on the end of a relationship, and Kanye manages to turn Bon Iver into masterfully headbopping hip-hop on 'Lost in the Woods'. Poet and spoken word artist extraordinaire Gil Scott-Heron finishes the main bulk of the record, turning Kanye from an egotistical monster into the peerless and paramount producer and artist of 2010.

Thursday, 16 December 2010

Ho-Ho-Holidays are Coming: Kanye West


It's a Kanye Christmas Cacophany!

Not content with crafting one of the albums of the year in
'My Beautiful Dark Twisted Fantasy', Kanye keeps on keeping on, releasing another track that combines superb samples, a smattering of guests and a smooth and luscious hook.

AND IT'S A CHRISTMAS SONG!

The man, however insane and egotistical, can do no musical wrong in my eyes;
'Christmas In Harlem' samples some Motown shuffle, throws in a sultry R&B chorus and then Kanye pumps out a series of words festooned in festivity. Thank you Santa....

Kanye West (feat Teyana Taylor & CyHi Da Prynce) - Christmas In Harlem by DJRADIO718